Jacob Benjamin Fite: How to Make the Most of a Recording Session

Jacob Benjamin Fite is known for being a musician, but above all, Jacob is a musician and would like to share some information with everyone about how to make the most of a recording session.


Before going to record anything, Jacob Benjamin Fite recommends that everyone adequately prepares for the session. During the session, a person should focus only on correcting minor kinks rather than trying to grasp the entire concept of the song. If not, a person could find they’re spending a great deal of money needlessly, or they may need to schedule another recording session to perfect the piece.

It’s also important to note that a voice can only do so much before not being able to work well anymore. This can ultimately harm the quality of the final project if a person is repeatedly singing, trying to perfect a piece without practicing it first.

Therefore, someone looking to schedule a recording session should take time to practice the song adequately before getting in the studio. The person should set time aside each day for a week or so before the recording session to work out any problems.

Always Voice Concerns With the Recording Engineer

Jacob Benjamin Fite wants people to know that the recording engineer doesn’t hear exactly what they’re hearing. While they might be an expert in their field, it doesn’t necessarily mean that everything is perfect each time. As a result, a person in the recording studio needs to be vocal about their concerns. For instance, if a person can’t hear the music well enough to stay on tempo, they should request it be turned up a bit. If the recording engineer tweaks it, and it’s still not enough, it’s okay to say so. Continuing on the track without it being what the artist needs will result in a poor final project. And that will not help a person get what they want out of the session.

Limit Motion

Jacob Benjamin Fite wants people to know that a recording session should include a manageable motion. While it might be tempting to perform a piece as a person would on a stage, this can lead to a poor result on tape. During the session, a person should remain in one place with the microphone.

While a person shouldn’t walk back and forth during the session or dance — which can be challenging to control when a person gets into the music — it’s okay to move in a way that can enhance the track. For instance, a person may be able to bring out emotion in a song if they move their arms, Jacob Benjamin Fite notes.

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